Her image as one half of Norwich queens of post-punk dark disco Sink Ya Teeth belies Gemma Cullingford’s naturally introverted nature, and with the duo enduring forced downtime during the pandemic she has produced a debut album with tracks that are often deeply personal and give an insight into the world seen through the eyes of this most self effacing of musicians.
Let Me Speak was written performed and produced from Gemma’s humble home studio. It blends many styles of electronica from 70’s experimental and new wave, early 80’s electro, acid house and techno to noughties electro clash, topped with her own vocal style to produce a unique and fresh sound. It has received radio airplay from the likes of Steve Lamacq, Amy Lame, Nemone, Chris Hawkins, Jamz Supernova, John Kennedy and James Endeacott, plus glowing reviews in Mojo, Uncut and Electronic Sound.
“…sultry cuts laced with charged lyrics” - Uncut
“Let Me Speak spans the terrain between darker, left field post punk and giddy pop” - Electronic Sound
“…bubbling industrial grooves and ice cool poise” - Narc magazine
“…A really lush meeting place between cold-wave electronics and the human hands of post-punk” - Drift Records
“…perfectly suited to the post-pub home listening party as it is the sweaty darkened corner of your favourite club” - Piccadilly Records
Let Me Speak was written performed and produced from Gemma’s humble home studio. It blends many styles of electronica from 70’s experimental and new wave, early 80’s electro, acid house and techno to noughties electro clash, topped with her own vocal style to produce a unique and fresh sound. It has received radio airplay from the likes of Steve Lamacq, Amy Lame, Nemone, Chris Hawkins, Jamz Supernova, John Kennedy and James Endeacott, plus glowing reviews in Mojo, Uncut and Electronic Sound.
“…sultry cuts laced with charged lyrics” - Uncut
“Let Me Speak spans the terrain between darker, left field post punk and giddy pop” - Electronic Sound
“…bubbling industrial grooves and ice cool poise” - Narc magazine
“…A really lush meeting place between cold-wave electronics and the human hands of post-punk” - Drift Records
“…perfectly suited to the post-pub home listening party as it is the sweaty darkened corner of your favourite club” - Piccadilly Records